Tri-Art High Viscosity is built for painters who want a true heavy-body feel, strong chroma, and pronounced stroke retention, and Tri-Art attributes that to very high pigment loading and a finely refined pigment grind; if you like paint that “pulls” like oil and keeps its marks, start by exploring the colours and do two quick swatches per colour, one straight from the tube and one brushed out thin, so you can see each pigment’s natural sheen, transparency, and staining strength before it’s mixed with white or mediums.

• Thick, heavy body acrylic for bold texture, knife work, and brushmarks

• Load the knife generously, then place and pull once or twice to keep peaks crisp

• For bold brush marks, use a stiffer bristle or synthetic “hog” style brush and avoid overworking

• Build impasto in layers, letting thicker passages set up before adding more height

• If you need more glide for knife work, mix in a small amount of acrylic medium instead of lots of water

• Keep a spray bottle nearby to lightly mist your palette so the surface does not skin over

• 60ml tubes

• Made in Canada (since 1994)

• Apply Masking Fluid to create a barrier that protects desired white space by blocking watercolor washes.

• The bottle includes five different fine-point applicator tips and dries to a transparent caramel color, so you can see it while you work.

• The dried fluid is easy to rub off with your fingers or a rubber cement pick-up.

• Made with the same pure pigments as Gamblin's Artist Oils'

• Also use the same process of mixing, milling, filling, and hand labelling

• Formulated with pure pigments, refined safflower oil and marble dust (calcium carbonate)

• 150ml tube

• The surface of paintings made with beeswax mediums will become only as hard as a beeswax candle.

• Adding Gamblin Galkyd to Cold Wax Medium/oil colors mix will increase the sheen and flexibility of the paint film.

• Use a small amount to make Galkyd Mediums more matte.

• Cold Wax Medium contains no oil, so it can be applied as a wax varnish over a dry oil painting.

Sets of 12, 24, 36 and 72 20ml-tubes

• For use on paper, board, canvas, wood and stone

• Can be thinned easily with water

• Short drying time

• Original color can last for decades

• Excellent quality paint for artists and students

Rheotech achieves qualities previously exclusive to the professional artist arena and is undeniably the best quality paint in its class. Rheotech Acrylics have a creamy, workable consistency. Available in 250ml tubs in a variety of colours. Manufactured in Canada.

The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added.

Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different. 

Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others.

Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion.

Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles.

High Flow is our newest acrylic paint that can go from brush to marker or from dip pen to airbrush and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including staining, leveling, calligraphy, and mixed media.

Introduced as a replacement for GOLDEN Airbrush Colors in July of 2013, High Flow offers increased durability of dry paint and a larger palette of colors including Iridescent and Fluorescent colors, and more single-pigment colors that match the other GOLDEN color lines.